Zenryoku Rikon Sodan
Takeuchi Miharu (Maya Miki) is a capable lawyer with a law firm in Nagoya who gets to handle a divorce case assigned by their head Mizuno Toyohiko (Tachi Hiroshi). Gohara Naoki (Yoshizawa Hisashi), the president of the company, wants to divorce his wife Nobue (Kone Hana) who left their 5-year-old son behind and moved out. Nobue does not want to give up her child. The case seems to complicate Miharu because she had experienced divorce too and was deprived of custody of her daughter Kanae, who she has not seen in 10 years. She hesitantly starts working on the case but gradually gets absorbed in it.
While she is the husband’s attorney, the solution she offers reflects Nobue’s feelings. This offends the client company and the law firm’s advisory contract is terminated. She resigned.
Nobue arrives with the twin sisters. She believes they can count on Miharu who identified with her own divorce issues. Miharu does all in her power to try to pull the twins’ broken family together. She got convinced to start a divorce counselling centre. On the day of the opening of ‘Takeuchi Harumi Divorce Counselling Centre’, a young lady stares at the signboard of the centre with a surly expression. She is Miharu’s daughter, Kanae (Taketomi Seika), who is now an adult.
Gamagori Futaro has been poor since the day he was born. As a child his recklessly wasteful and abusive father sunk the family into debt and disappeared, leaving Futaro and his sick mother to fend for themselves. With no money to pay for medical treatment for his ailing mother, she eventually died. After her death Futaro became obsessed with money and willing to do anything for it. Several years pass and Futaro finds himself working at “Mikuni Shipbuilding” where he meets the company president’s daughters Midori, who was his former classmate, and her younger sister Akane, who is disabled, and like Futaro, has a scarred face. In a plot to acquire their fathers company, Futaro begins to get close the sisters..
Yuube no Curry, Ashita no Pan
Seven years ago, Terayama Kazuki died of cancer at the young age of 25, leaving behind his wife Tetsuko and father Rentaro. They live together and are a family, but theirs is a delicate relationship of daughter-in-law and father-in-law with no blood ties. Through the intriguing people Tetsuko comes into contact with who were linked by fate to her kindhearted husband, she is freed from the pain of the loss of a loved one and begins to start life again.
Yamikin Ushijima kun Season 1
This drama depicts the harsh reality of those at the bottom of society through the eyes of the loanshark Ushijima. He is the head of Kaukau Finance which is a ruthless black market lending operation, charging as much as 50% interest every ten days.
Watashi to Iu Unmei ni Tsuite
It was the year 1993, a couple of years after Japan’s economy bubble burst. Life was tough for Fuyuki Aki, as she tried to prove herself in a society where men were still favored over women for promotions and even in simple things like regular permanent jobs, the women were often passed over for men. Amidst all her struggles and frustrations in her job, her ex-boyfriend Sato Yasushi, who happened to be her colleague, announced his upcoming marriage to the girl from the admin department. Aki had broken up with Yasushi two years ago, as she had despaired over her career in the male-dominated company, feeling helpless thinking about her futile efforts to progress her career. Her anger at her situation transformed into anger at all men, which in turn caused her to disregard Yasushi’s feelings. Unexpectedly, Yasushi’s announcement made her felt out of sorts.
On the day of the wedding, at the entrance welcoming the guests was Yasushi’s mother, Sachiko. Aki had gotten on very well with Sachiko back when she was dating Yasushi, but since their break-up 2 years ago, she had lost all contact with her. On that day, Sachiko had pressed a letter into her hands while they were greeting each other. In it Sachiko wrote, “I had believed that you and I were bound by fate. Aki-san, why did you make the wrong move?”
For women, love, marriage, children, and death… in a time of upheavals, Aki had turned her back on all these things. Be it a beautiful or harsh fate, she chose to create her own destiny.
“Please tell me who I really am.”
This e-mail message was sent by Mika Kimoto, an editor working at a publisher in Daiba, Tokyo.
Coming from a wealthy family, Mika has always had everything she has ever wanted and more. She is a third-generation Korean living in Japan. She loves her job, and her Japanese boyfriend is a doctor.
There’s one thing that bothers Mika though… Her father Masao is very conscious of his ethnic heritage and will allow Mika to marry only a Korean. When her relationship falls apart because of her father’s interference, she just happens to post the above message on a mobile phone dating service.
Ryosuke, a blue-collar warehouse worker at Shinagawa Pier, replies to Mika’s message.
Daiba and Shinagawa Pier are separated by Tokyo Bay. Mika is a career woman working at a major firm. Ryosuke lives a meager life doing manual labor at a warehouse. There seems to be nothing in common between the two. Still, destiny brings them together.
One day Mika happens to find her late mother Yuri’s diary. Written within is the tale of Yuri’s concealed relationship with a Japanese man before she married Masao. Mika finds out her mother’s hidden past and her passion for the man she loved. Without knowing it, she is about to follow the same path as her mother.
Tokyo Toy Box
Tsukiyama Hoshino was being harassed by her boss at the big consulting firm she worked at, and thus she decided to quit her job and join “Studio G3”, a gaming company in Akihabara led by Tenkawa Taiyo. For Taiyo, there is nothing on his mind other than creating the perfect game. Although Hoshino is a bit put off by Taiyo’s attitude in the beginning, she is soon influenced by his passion for game creation.
Toilet no Kamisama
Kana Uemura’s song “Toilet no Kamisama” turned into a 2-hour drama special on TBS. The song, which is nearly 10 minutes in length, tells of Uemura’s relationship with her grandmother, from her childhood to her grandmother’s death. –Tokyograph
Hayami Keigo is a promising young heart surgeon at a university hospital, but is made to examine patients at a clinic in the mountains during summer on the orders of his superior. At a harsh environment 2,000 m above sea level, there is a very small quantity of testing equipment and medicine. It is a culture shock and setback for Keigo who is active in advanced medical care and the use of cutting-edge equipment. This is a place detached from modern medical care where doctors make all diagnoses by touching, looking at and talking to patients. Koyama Haruka was raised by parents who ran a mountain lodge, but when she was 5, her mother died in an accident on the mountains. That influenced her to become a nurse in Tokyo. However, one day, an incident prompts her to escape from Tokyo and return to the mountain lodge. It is the same time that Keigo arrives at the clinic.